dinsdag 14 juni 2016

Les Alliés Françaises à R'dam so to speak

French Alliance

PAE gathered a bunch of performers for a poetic dada session concerning the french language at the Alliance Française in Rotterdam, a combination of commemorating the hundredth anniversary of DADA as well as participating in the general mellée of the Rotterdam's Poetry week and continuing the successful formula PAE has applied, the soirée at the Goethe Institute nearby as recent example…
so: La connection des performances artistiques françaises…
Voix, mots, son, image, action et objet
This time around the prevailing wind was from the south, obviously, with Montange Froid as coproducer, with central performer Valentine Verhaeghe present, having brought along their sumptuous review ‘Mobile’ and a facsimile Filliou-poster…and performed a complex dance in which the plight of bees, the questions of our treatment of self, the planet and our fellow planet inhabitants was proposed in a whirl of upbeat dancemusic, contrasting the gravity of the situation… 
it is for the public to consider and reconsider the themes touched upon… compatriot Jean-Michel Espitallier was installed in the back room area taking note of time passing right through the proceedings… he noted every ten seconds that by the time the performances had taken place he, along with all of us, was two hours older (or more…) Marguerite Bobey, also from France collaborated with Wen Chin Fu, intriguing experimental instrumentalist from Taiwan, here using a classic cello as sonorous contribution… They ended the series with a breathtaking combination using text, ritual guttural chant, shaman drumbeat and what might be classed as movement theatre but then not playing but performing - a slight difference I know, but essential one… very strong stuff indeed… but we are getting ahead of ourselves… 
Other performers were closer to home: Bob Lens, l’eminence grise of dutch fluxlistings, presented his ongoing series of possible spaces, possible applications and definitions with sometimes more than two meanings, especially those that cross over between french/english/dutch… in the form of the all-prevailing plastic bag - le sac comme véhicule d’art plastique… this time he did not fill them with nature mort as we do when we go shopping, but proceeded to scrunch and scrabble words, consonants and vowels and bag-sounds into the mike… 
Hollands most Selfindulgent Asshole found nothing better to do than to sit in a corner at the top of the stairs throughout the late afternoon declaiming single words uttered loudly from a french classic, deconstructed into an alphabetical irritation translated into dutch… intervening as it were in all the performances with his sudden calls… And yes, Belgiuim’s own Messieurs Delmotte came to demonstrate their artistic prowess by painting, live, then and there (with the assistance of carefully selected ‘volunteers’) three canvasses in bleu-blanc-rouge (signed in Prussian blue, to remind us of the repeated incursions…) - one with the mouth, one with a foot, and the third with both hands! amazement all around - not so much because of the talent these messrs were endowed with, but the fact that they did it all in english - while of course being native to the french part of Belgium… curious consternation for the more chauvinist elements among us… The other belgian participant, Antwerpian Heinrich Obst, also a rather curious character, presented his proposition in broken franglais-flamand: a reading of the Broodthaers version of the central page of Mallarmés “Un coup de dés jamais n’aboira le hasard”… to rather muted response and with questionable academic credentials… and a spatial application on the wall… 
Nina Boas, co-organizer and by nature of her dual nationality straddled the affair Holland-France with a do-it-while-you-wait & see performance of one of her chançons - cutting, tearing picking folding ruffling and disordering papers with recording sound and image resampled re-looped into an elaborate system to end up with a complex show of son/lumière rap-beat style with that ‘certaine je ne sais quoi’ in française style… presenting the resulting show standing absolutely straight & still while the just-produced piece unfolded around her.
PAE spokesperson Ieke Trinks performed the role of maitre D' and held the whole thing together, aiding the confused and blazing the trail for performance not only here at the AF, but everywhere, since she is in fact truly an international phenomenon… flitting here & there and all over…


so, we were lucky to partake in this rather unique encontre, which was, of course, (c’est l' alliance française quand-même), sealed with sumptuous vegetarian food and wine....






donderdag 2 juni 2016

finissage #2 Orbino Middelheimmuseum




as well as begun elsewhere-
poortgebouw LLS 387, until 26 june


with extra video weekend 18/19th


also extra video evening at Filmhuis Klappei on friday 17th of june
more soon...

woensdag 11 mei 2016

Ver Banden / Associations

Gruzemayer is helping to realise

“VER BANDEN”
Jef Lambrecht

….associations of sorts,
a three-part quick-fix exhibition series with work by Jef Lambrecht, founder of the Belgian Institute for World Affairs (with Karel Schoetens) the Saint Nicholas Chapter and various departments including EAR… known by the wider belgian public as radio journalist specialising in middel eastern affairs and freelance commentator on the arts.

#1 Ver Beelden (part one) april 28th to May 15th 2016

a dive into the archives, basement, attic, rifling through the shelves… an attempt to give an impression of artistic activities from the early stages until fairly recently…  say 1980-2000) omitting a large section in which JL was busy mainly with writing books on the situation in the arab world, concentrating of travel and research, and participating only sporadically in artistic situations.

A small show in the museum of contemporary art in Antwerp, the MuHKA comprises an attempted overview INBOX and three larger works in the forum space on the second floor, as well as an evening of never seen rushes at the nearby CinemaZuid on the 18th of may at 19:30
see relevant websites for details…
photo Dialogist kantor 1992



part 2
next up is an occupation of the Orbino container-space in the Middleheimmuseum Antwerp, Open air sculpture park… from 19th may to 6th of june 2016…
here spoken, written painted word will be the main theme…

part 3

will take place in the ‘Poortgebouw’ opposite LLS 387 contemporary art space, with larg-scale works and most recent drawings, among other things… from the 29th of may to june 26

maandag 23 november 2015

High performance photohumor & more

Or something like that. The original point of departure was a misfired proposal for the symposium photography performing humor which has been postponed... having a background in all these concepts, Patrick Morarescu and I thought we might do something with it and decided to open a small investigative studio at Buktapaktop in Brussels in advance of said symposium... we even got friends to fly in from Switzerland and Germany for what ended up being a bit of Belgian shut- & lockdown tourism...
Anyway, we had prepared some ludicrous questions based on Barthe’s Camera Lucida, referring to the ‘affective turn’ mentioned in the symposium’s open call, as well as various investigations into the ‘Augenblick’ (blink-of-eye-moment) by such as Karl-Heinz Bohrer (Ästhetische Negativität) and Vilém Flusser (Bildmischung) as well as our own hare-brained ideas concerning the subject, object, ocular operator...

Luck would have it that the run-up to our slapstick operation would be marred by the terror attacks in Paris, reminding us as Charlie Hebdo did - that being funny can cost you dear... but is it a reason to stop? No- so rather than postponing as so many, we decided to go ahead and wing it. The small impromptu studio was based on basic historic models, using daylight and diffusion through drapes & curtains, some props and attitudes... or as one sitter said, nomadic studios as one still finds in far-flung places and which used to wander about our fairground circuits... 

Perhaps because of the lockdown a lot of the sitters opted for the new fashion of covering your face, everyone is beginning to hide behind veils and headdress, balaclava’s and bataclans.... except those who are about to blow themselves up... a different kind of blow-up than we considered in the 60’s... even the kids decided democratically not to participate for fear of having themselves displayed on facelook and/or other unsavory social media... now that imagery has become so free-for-all (everyone pays), no-one wants it any more... 

(one of P.M.’s projects is ‘performing grounds’ in which no humans figure but which speaks of human activity and intervention in the landscape and architecture of our public space – maybe that will be all we can  document (doculent?) in the future... without permission)

After a rather slow start the studio warmed up with the presence of friends, and an interesting series of discreet portraits were produced... the second part of the operation was curtailed somewhat by the fact there was no longer a need for a preparatory discussion for the upcoming symposium, and essentially boiled down to a short (presumably comic) performative send-off of the proceedings after which some socializing and banter rounded off the evening, before heading off into the uncertain night.


Heinrich O

zaterdag 16 mei 2015

Back on track (river) barge/plot

High time to update or rathe resuscitate this channel, having been off on a tangent again ….and still now,
- just hanging on… and getting things done by fluke. 
As it is Gruzemayer has an office as it were, to redress the gap after the 'former offices' were closed... tat's quite a bit of dust - years ago... what eight or so? anyway after an introductory get together the first effort will be a sort of informal info-office dealing with the activities of a friendly boat indeed, the Tenace, on tour through Belgium along what's laft of a once extensive and efficient canal system.






see also  'Tenace on Tour'



We will be accompanying the good boat through the province of Hainaut and perhaps even rekindle an old project while we're at it
Die Landschaft / a project by PDC & DMM...  but that is still a big question... more wishful thinking i guess...
anyway the good boat Tenace is already on it't way and will be ascending at Ronquières on, yet ascension sunday… but it seems the musicians couldn’t make it

 so it’s now slated for monday the 18th of may…

oops, news just in - no ascension concert, need to move on, sorry, check site for next move



after that plod on water-wise past La Louvière, and the the next boat-lift Strepy-Thieu, where new and old meet…



after that Mons, visiting the goings-on of this year’s cultural capital including a project by Lise Duclaux at the ‘Carrosse’  home for mentally and phiscally disadvantaged at St Symphorien, just on the city limits… part of an overall participation outsider art project for a show called ‘Monsens’ opening at the BAM on june 20th…



( see also sites liseduclaux and monsens for more and update info...)



...but back to our musical barge Tenace - it will be picking up and disgorging passengers and bicycle followers and then continue along the canal Nimy-Blaton-Peronnes, intervening with wildcard-wildcat art along the way, a bit like hobo-signs and such, to Peruwelz, where a longer stay of two weeks and activities of all sorts will take place, supporded by the very interestingly active local art centre ‘Arrêt 59’ (across from the train station) - and there will be a sort of info-expo-office at the rue de Roucourt 67 (Dépendance interdépendante du bureau G... Depinterdep)…


more soon

dinsdag 23 december 2014

end-of-year cupcake

as an end-of-year treat there is a small Gruze-intervention in a multi-facetted Cadavre Exquis project developing in the ‘Vitrine de la Rue de Flandre 7’ Brussels… (invited by Annick N)













 a good way to look again at the floating island C, which had been languishing at the top of the landing for some time now, waiting for an outing into the unknown… this situation, with it’s constant change and variant participants is just the ticket… it is a hollow rendition of a cut out form of the island, reversed upon setting, and in that sense a play on Gaudi’s investigation of reverse gravity… the negative is a free agent in the limited space of the vitrine and was intended for the showcase across the entrance, now garnished with dead and dusty flies… but the lock seems to have gone block tight…



woensdag 17 december 2014

an empty year /darkened

Darkened days A year since the HTH was closed, now on the verge of dilapidation The ivy grows across the shuttered brow now blind to the landscape below Water and heat have been disconnected, the leaves gathering in the eves Conspiring an overflow Into the house, warping the herringbone floor (actually it's staff an tail) The exhibitions long gone, The echoes of literature faded Just a bitter aftertaste of local beer Gone stale ( the drips carefully accumulated have been set aside and run down...) A sorry state for all concerned And a harbinger of worse to come I fear.
It seems the house and gardens are protected Protected from what and for whom? Not the winter magpies They laugh at al passers by And the shivering beasts Left behind